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Voices in Peril: U.S. Law and the Rise of Deepfakes

How the Tennessee ELVIS Act, the Lanham Act, and landmark right-of-publicity cases like Midler v. Ford protect artists from AI voice cloning and deepfakes — and what creators need to know in 2024.

Michael A. Johnson

Shareholder · Nashville

· 4 min read

As technology continues to evolve at an unprecedented pace, the intersection of intellectual property rights, digital likenesses, and artificial intelligence has become an increasingly pressing topic for legal practitioners, musicians, and artists alike. The emergence of deepfake technology poses significant challenges for the protection of voices—both for singing and speaking. This blog post delves into the current legal landscape regarding voice protection under U.S. law, highlighting relevant case law such as Midler v. Ford Motor Co. and Waits v. Frito-Lay, and exploring recent legislative developments including Tennessee's groundbreaking ELVIS Act and varying state laws addressing voice misuse and AI-generated content.

In the U.S., the protection of the right of publicity has emerged as a pivotal legal avenue for safeguarding an individual's voice from unauthorized commercial use. One of the seminal cases in this area, Midler v. Ford Motor Co., established a precedent by affirming that the unauthorized use of a celebrity's voice in advertisements infringed upon their right of publicity. The Ninth Circuit ruled that when Ford used a sound-alike for Bette Midler in a commercial, it violated her rights because it was an attempt to commercialize her distinctive vocal style without her permission.

Another landmark case, Waits v. Frito-Lay, Inc., reinforced this protection by ruling that even imitating a person's voice could constitute a violation of the right of publicity. In this case, the Ninth Circuit found that a radio advertisement featuring a voice mimicking singer Tom Waits caused confusion and diluted Waits' commercial endorsements.

These cases set vital benchmarks for interpreting how voices—be it singing or speaking—can be protected under the right of publicity and demonstrate the judicial system's readiness to protect the marketable identities of artists against unauthorized exploitation.

The Lanham Act and Voice Protection

In addition to common law protections, the Lanham Act plays a significant role in the protection of voices and associated trademarks in the U.S. By providing a federal framework for trademark rights, the Lanham Act addresses issues related to false endorsement and misrepresentation.

Cases like Facenda v. NFL Films, Inc. exemplify the application of the Lanham Act in voice-related disputes. In this case, the Third Circuit recognized that the use of John Facenda's distinctive voice in NFL films constituted a false endorsement under the Lanham Act, as it was used without his consent in a way that misleadingly suggested his sponsorship or endorsement. The case underscored the utility of the Lanham Act in protecting not just active trademarks but also the unique attributes that contribute to a persona's commercial identity, thereby extending the protection to voices used in commercial contexts.

Recent Legislative Developments: State-Level Protections

As technology has evolved, so too have legislative approaches to protecting voices and personal likenesses. Some states have begun to enact laws specifically targeting the challenges posed by AI-generated content. For instance, California has introduced new AI laws aimed at limiting the misuse of digital likenesses and voices, recognizing the potential for harm caused by deepfake technology. These regulations seek to clarify how individuals can protect their voices from unauthorized and harmful uses, especially in contexts where AI is concerned.

The most significant development came with the enactment of the ELVIS Act (Ensuring Likeness, Voice, and Image Security Act), signed into law in March 2024. This law made Tennessee the first state to explicitly protect musicians and artists from AI-generated deepfakes, voice clones, and unauthorized recordings. Effective July 1, 2024, the ELVIS Act amends the Personal Rights Protection Act to include 'voice' as a protected right, allowing individuals to file civil lawsuits against violators and potentially impose criminal penalties for misuse of an artist's voice digitally.

These legislative measures reflect an important shift towards recognizing the complexities of identity and representation in the age of digital media and artificial intelligence, providing a robust framework for legal recourse against unauthorized exploitation.

Deepfakes and Their Implications for Voice Protection

The rise of deepfake technology poses unique challenges to voice protection and the broader implications for artists. Deepfakes enable individuals to create highly realistic audio and video impersonations that can manipulate public perception and damage reputations. This raises significant legal concerns about copyright infringement, defamation, and the unauthorized use of an individual's likeness or voice.

The existing legal framework struggles to keep pace with the rapid advancements in AI technology, leading to calls for further reforms and protections. As cases involving deepfake technology reach courts, the application of established precedents from voice protection cases can provide guidance on how the law may evolve to meet these challenges. Such legal cases will likely unravel the complexities of consent, marketability, and the essence of personal identity in the context of artificially generated representations.


In conclusion, as artificial intelligence and deepfake technology continue to intersect with creative rights, the legal landscape regarding voice protection is rapidly evolving. With recent judicial precedents and state-specific laws like the ELVIS Act paving the way for increased protection of artists' voices, there is a growing recognition of the need for comprehensive legal frameworks that address the unique challenges posed by AI. As these developments unfold, artists, legal practitioners, and policymakers must remain proactive in safeguarding the personal rights of individuals against emerging technological threats, ensuring that rights to one's voice—whether spoken or sung—are fully recognized and protected in a digital world.


If you are an artist, creator, or business navigating voice rights and AI-related IP issues, our Entertainment & Media team is here to help.

About the author
Michael A. Johnson
Michael A. Johnson

Shareholder · Nashville

Business and intellectual property counsel to founders, creative companies, and technology businesses.

This article is general information about the law as of its publication date, not legal advice, and reading it does not create an attorney-client relationship. The law changes; consult counsel about your specific situation.